Being a ‘seat of the pants’ writer, my favourite part
of putting stories together is conflict. Because I have no end in sight, I’m
right there with my characters as the conflict is introduced and I have no idea
how I’m going to solve it. With my last book, I had introduced so much
conflict, I spent three weeks believing I had written myself into a corner and
there was no way out. For the first time, I was seriously considering breaking
my own rule of never looking back until the first draft is complete. I would
have to go back and rewrite some of my earlier scenes and simplify them.
In my head, my characters were saying “No, don’t do
it. We can solve this. Just give us a little time.” Another three weeks went by
with barely a word written and myself in a constant daze, believing there was
no way out. When the answer finally came to me, I knew what had to be done and
realised why I had been avoiding it. It meant killing off one of my main
characters. For any author, this is never done lightly, and when I did write
that scene, I was emotionally exhausted. My daughter was visiting at the time
and gave me a hug when she saw what a wreck I was. She reminded me of one of
the principles I had shared with her about writing over the years. “Just like
you’ve always said, Mum, the Daffy Duck principle must rule.”
Now, I know at this stage, you probably think I’ve
lost my marbles, so allow me to explain. For those of us old enough to have
thrived on the Bugs Bunny Show as children, Daffy Duck was always my favourite.
In one cartoon, “The Scarlet Pumpernickel” Daffy, tired of being type cast,
pitches to a Warner Brother’s exec about an exciting film he has written and
intends to star in. We get to see his blockbuster and the exec is getting more
excited by the minute. “Yes, yes… and then what happened?” Daffy is buried in
the pages of his long script, getting more and more exhausted as the conflict
builds. A storm comes, the dam breaks, a volcano erupts and still it is not
enough for the exec. I won’t mention here the ending, but basically, as I
had told my daughter, “Someone has to die.”
Daffy gives us a very basic model about how the
conflict must build continually, right up until the end. As authors, I believe
we need that ‘edge of the seat’ feeling within our stories, making the reader
wanting to turn the page. We need tempo to give our readers a breather and
relax, but not for too long. With my latest book being 260,000 words (745
pages) long, I had the challenge of keeping that up and it wasn’t easy.
Having well defined characters is essential. Each of
them must be true to their nature and approach the conflict as only their
character would do. A story must have one enduring conflict right through,
which is what the story is about, but there needs to be many more that are
stopping the protagonist from achieving their ultimate goal. If it’s getting
too easy to solve, it’s time for that volcano to erupt and see what your
characters are made of.
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